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How To Self-Tape Your Audition Like A Rockstar

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By Marci Liroff

As many projects are asking for you to self-tape your audition as a form of pre-screening, many of you have asked how to self-tape your auditions. For some, the mere idea of this can be daunting. I urge you to get comfortable with doing this. It’s not as hard as it may seem. If you think about it, you’re actually the actor, director, and producer of your own audition! You are finally in control of your audition!

Here are some instructions that you should follow.

Pay attention to ALL of the instructions that the CD or website gives you. If they tell you to do it a specific way, DO IT THAT WAY!

Know the material. Be as off-book as possible so that you can interact with your scene partner (who’s off-camera). Try to find a good reader – it’ll really help your audition. It’s ok to hold your sides, but we don’t want to see you literally reading off the page.

Check out my article “Self-Taping Using your iPhone” if you’re going to use your phone.

TECHNICAL STUFF

TRIPOD:
This is important! Make your audition as professional as possible by attaching your camera to a tripod. Nobody wants to watch an audition on a hand-held camera. If you don’t have access to a tripod (or can’t borrow one!), prop your camera on a table on top of some books so that it matches your eyeline (never shoot under your chin – that look isn’t good on anyone!)

Here’s a tripod adapter for your iPhone

LIGHTING:
The best thing is to use natural light. Make sure you’re not shooting TOWARDS a window or the light, but that the natural light is actually lighting YOU! If you don’t have natural light, then get some appropriate lighting. You can actually use lamps if you don’t have real lights. You can even use those wonderful large globe Chinese Lanterns (w/the white shades) – those throw a lot of nice soft light.
Go onto YouTube and search for “3 point lighting“.

You’ll get A LOT of videos how to do this. This will make your video look very professionally done and you can even do it on the cheap if you’re going to be doing this at home a lot. Go to Home Depot and get some “work lights”, and you can fashion a stand for them.
One of my Twitter followers just sent me a link to Cowboy Studio which has inexpensive lighting packages.

Make sure you “white balance” your camera before you start shooting. Many cameras these days have an auto-white balance. If yours doesn’t, check the instructions and figure out how to do it. In many cases, you can just hold up a white piece of paper about 5 inches in front of the lens and that’ll do the trick.

THE BASICS:

1. Find a quiet and well lit room.

2. Have the actor stand in front of a blank white, blue or grey painted wall. You can always use a plain sheet (no prints please).

3. Have someone other than the actor (the “reader) reading the supporting lines off camera. Do not attempt to do a scene by yourself unless it’s a monologue. Even then, have a friend operate your camera. Have your “reader” stand RIGHT NEXT TO the camera – almost hugging the tripod. EYE LINE! This is very important. So often the actor is reading to a partner that is SO far away from the camera, all we see is his profile. Make sure the actor looks at the reader during the scene and not directly at the camera.

4. You want to frame CHEST UP – not too much head room. Make sure we can see your face. You should stand about 3-5 ft. from the camera. Some projects ask for a full body shot as well to include before or after you do your scene.

5. Camera should be at eye level or just slightly above, NEVER underneath your chin.

6. Record a test sample first and see how it looks and sounds on the computer first to make final adjustments before taping the scenes.

7. When you are ready to record the scene, make sure the actor adds a verbal “slate” first by saying their name, the city they are from and role they are reading for. I also like to know how tall you are. Make sure that your slate is a SEPARATE take from your audition scenes. Don’t just roll from your slate right into the scene – that’s an amateur move. Some CDs request a slate on a piece of paper w/the pertinent info. Just make sure we can READ IT! Edit your slate and your audition together into one video file.

9. Record the scenes 2 or 3 times(or as many times as you need), pausing between takes so that you can pick the best one once youʼve had a chance to review them. Only include your best take.

10. Make sure your audition is labeled with all your contact info clearly on the clip – you can do this before and after – it never hurts to be sure. This is very important. We need to be able to reach you if we want to call you back or give you re-direction.

You can also self-tape from your webcam on your computer (a video camera is better, so ONLY do this if you have no other options). If you’re going to do it this way, I suggest you raise your laptop up a bit so that it’s not shooting “up” at you with an unflattering angle. You can also practice your upcoming auditions with your webcam and play them back so you can see what’s working and what’s not!

There you have it! Have I forgotten anything? Please let me know what works for you in the comments section.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

 

Glad you’re here – Marci

What Makes You Stand Out in an Audition

By Marci Liroff

I’ve been teaching several online classes over the last few months, and one question that consistently comes up is: What makes my audition stand out? It’s a tough one to answer because, as a longtime casting director, I know a talented actor when I see one. So much of it is subjective, but my years-honed instinct for noticing talent usually wins out. 

Because of the coronavirus pandemic, actors are strictly auditioning remotely. This means we casting directors are viewing large numbers of self-taped auditions, along with holding auditions over online platforms like Zoom, Skype, WeAudition, and others. If you aren’t fully prepared to self-tape in your home and audition over these platforms, now is the time to learn.

I attended a Casting Society of America webinar the other day that focused on self-taped auditions. One of the takeaways was that, for now, CDs are definitely cutting actors some slack in terms of the technology. No one is expecting a perfect tape.

We do not want you putting yourself in harm’s way by going to a professional taping facility.

We realize that many actors live alone and don’t have the proper equipment, much less a good reader. We’re happy so long as you are well-lit, the sound is good, and you’ve done the proper prep.

But in terms of really standing out, there’s a lot to be said for good old-fashioned charisma and magnetism. That’s something you can’t buy. Obviously, being über-prepared is a given. After that, showing us your authentic self is first on my list. I can always tell when an actor is pushing and straining to become the character. There is no try, just be. You should disappear into the character. Look at a few of Meryl Streep’s characters and you’ll see that she is no longer there, because she’s subsumed by her character.

Additionally, we often suggest that actors make a strong choice when they’re auditioning. My coaching clients constantly tell me they’re worried that their strong choice will be the wrong choice. Especially with self-taped auditions, you can feel as if you’re acting in a vacuum, as there is no immediate feedback in the room. But here’s what I see: If an actor makes a strong choice that’s headed in the wrong direction, and if they seem to be right for the role, I want to work with them to steer them back in the right direction. Because they’ve made a strong choice, I can see they are an intelligent actor and have done the work, which indicates that giving them adjustments, notes, and direction is worthwhile.

The thing that I miss about live auditions is that indescribable feeling I get when I’m in the presence of a talented human being. Their ease and confidence while performing can change the chemistry of a room. I’m sure you’ve felt this when you’re at a dinner party and your seatmate is easy to talk to—or, on the flip side, if they have toxic, inauthentic energy. You can feel it immediately. That energy is infectious, and it can inspire us or it can make us feel like we want to run out of the room! Do what you can to bring the best of the IRL experience to the camera.

Make sure to check out my online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.

What Auditions Look Like During Lockdown

By Marci Liroff

Photo Source: Margaux Quayle Cannon

In light of the pandemic, I am offering special pricing for my private coaching (remotely of course!) You can buy a steeply reduced package now and use it later (must be used before the end of 2020) Check out the info here.

Every once in a while, I poll my followers on Twitter to see what they’d like me to talk about in this column. Overwhelmingly, the most popular topic this week was what things will look like when we go back to work. As I don’t have a crystal ball, I can only speculate based on my experience in the industry (and the knowledge we have today about COVID-19)—but here goes!

I’ve researched shooting protocols from all over the world to see how they are handling filming in the pandemic. All the protocols suggest that auditions take place virtually. This means that actors will be submitting self-taped auditions upon request. We’ve been using self-taped auditions for years, but using this method 100% of the time is all-new territory.

If you haven’t already sorted out how to self-tape at home, now is definitely the time.

I’ve written a step-by-step guide for reference that you can find on my website entitled “How to Self-Tape Your Audition Like a Rockstar.” We do not expect professional quality self-tapes. You do not have to go to a studio and pay for this service. Make sure to check your sound and lighting ahead of time so that we can see and hear you clearly. Another often overlooked element of the self-tape is to have a good reader reading off camera and positioned right next to your tripod.

Personally, if possible,  I’ll always choose to be in the room with the actor so that I can get a real-life take on their essence. I really like and depend on the interaction we have being face-to-face. In addition, I want to be able to give direction and insight into the role to see if the actor can integrate my direction into their take and make the proper adjustments. That becomes difficult, but not impossible, over Skype, Zoom, or other video platforms.

I’ve been doing auditions on Skype for the last several years. Now I’m using the We Audition site and Zoom to virtually audition actors. I can invite my director into the “room”, and she can give direction in real time, and we can record and save the audition. We can also put two or more actors together while they are in separate locations so they can read together – almost like a virtual chemistry read.

I’ve heard several commercial casting offices are having in-person auditions lately. I am extremely opposed to this. At press time, Florida is clocking record-high virus infections, California is backtracking its timeline for opening, and cases nationwide are on the rise. Having live auditions now preys on actors’ financial vulnerability, as they’ve been out of work for months. Many are willing to risk their health and possibly their lives to come on an audition, and that’s just plain dangerous and wrong. We do not have a handle on the virus yet. Why put yourself, your staff, and actors in danger?

Most if not all of my TV and film casting director colleagues say they will continue hosting virtual auditions until there’s a safe and effective vaccine. SAG-AFTRA is also currently suggesting that all auditions remain virtual for now. In short: I highly recommend that you stay put and create auditions from the safety of your home.

Make sure to check out my online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.

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