site
stats

How To Make Friends With Directors

th

By Marci Liroff

If there’s one thing you should know about me after reading my columns, it’s that I’m a big fan of preparation. When my casting director colleagues are asked, “What is your biggest pet peeve?” they seem to always answer, “Lack of preparation.” Preparation doesn’t always take the form of being off-book and having made distinct character choices. There are so many things you can be doing throughout the year to make yourself a better and more well-rounded actor.

In my article “How to Prep for the Fall TV Season,” I encouraged you to see at least one or two episodes of every new show (and existing shows) that is out there so that you can spend 100 percent of your time before your audition preparing for the scenes you’ve been given, rather than having to catch up on viewing the shows.

Another crucial thing to becoming an actor with range is to watch old movies.

I’d like you to become a walking film library. 

You may come across a director in an audition situation or on a set who, rather than being able to articulate what she is looking for, will give you an example of a character in a classic (or not-so-classic) film. Since you’re a student of cinema, you will know exactly to what she’s referring.

I’ve worked with several directors who are very visually creative and are driven by their “right brain” and can’t actually tell you what they need from you. Many of them resort to using film references. If a director told you that he needs the enthusiasm and guilelessness of Warren Beatty in “Heaven Can Wait,” would you know what he means? When a director and DP talk about the opening tracking shot from “Goodfellas,” will you know what they mean and how to sustain your performance throughout?

I’ve witnessed actors in meetings with directors (and at my dinner parties) who have simply wowed a director with their endless knowledge of film history. A vast knowledge of actors’ performances along with classic shots shows a filmmaker that you have been paying attention and aren’t just interested in yourself, but are drawing from the past to make inspired choices. When actor Dennis Christopher met with director Quentin Tarantino for “Django Unchained,” they talked about film for hours.

I’ve prepared lists of my favorite films from the ’60s, ’70s, and ’80s that I believe are films you simply must see (check out the Resources page on my site. Scroll down toward the bottom – AMAZING list of resources here btw). Films such as “The Birds,” “Bonnie and Clyde,” and “Lolita” in the ’60s. “Harold and Maude,” “The Last Picture Show,” and “Midnight Cowboy” in the ’70s. Check out “Blood Simple,” “Silkwood,” and “Blade Runner” from the ’80s. These are but a few of my favorites. Study them. Track your favorite actor and see where they began and where they are now. Look at Leonardo DiCaprio in his first movies, like “This Boy’s Life” and “What’s Eating Gilbert Grape.” Then watch what he does in “The Wolf of Wall Street.”

See you in the movies!

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Like this article?
Help spread the word!

Comments

  1. Hey Marci- I wanted to reach out to you to let you know that you’ve helped me. The past two or three years have been terrific for me, work-wise. I’ve worked more than I ever have, getting to play some really nice TV roles, and it was thrilling to finally see MYRNA come to fruition. As it happens, this year has been abysmal and I can’t seem to get arrested. I know the up-and-down is part of the business but it takes a toll.

    Anyway, I happened to catch this blog entry a few weeks ago, and was struck by your observation that directors appreciate actors who are knowledgeable in film, and that actors would do themselves a service to study film. So in my free time (limited, with a 3 year-old), I’ve been Netflix-ing some of the movies on your very extensive list. I’ve seen six or seven of them now – and it feels productive, like I’m taking a positive career step by staying engaged in the results of people working hard on their art. At a minimum, it’s helped to get me away from that spiral of negative thinking that comes when your phone doesn’t ring. I think the experience is helping me in ways that aren’t quite yet tangible. And I’m enjoying expanding my mind a little bit. So, thank you!

    Best
    Paul McKinney

Speak Your Mind

*

Follow This Post