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Why You Didn’t Get the Role

Photo by Jared Erondu

By Marci Liroff

You had a great audition. You killed it. The casting office “pinned” you (casting called your agent to let them know you’re one of our finalists and to let us know if you get another job offer that conflicts). Your hopes are up. You don’t hear anything for a while. Then you get “unpinned” and you didn’t get the role. You ask yourself, “Why? What did I do wrong? What does the other guy have that I don’t?”

I’m here to tell you not to do that to yourself. Don’t go down the rabbit hole on this issue. I had this very thing happen last week on the film I’m casting. We had a final two and then chose one of the actors. The actor who didn’t get the role had his agent email to ask why? My response was this: “Sometimes there’s no rhyme or reason. When putting together a family we have to think of all the moving pieces (the wife, the kids) and the overall vibe for the family. Your guy was great. He did everything right. The actor we chose fit better with our existing family.”

In this business, and in life actually, there are so many elements out of your control.

You don’t look right with our lead, you look too much like the writer’s ex-wife, you’re too tall, too short – you get the picture. The one thing you are in control of is your perspective. You get to choose how you are going to feel about not getting the role. No one can take that from you.

Are you going to kick yourself time and time again after each audition because you didn’t do what you wanted to do? Or are you going to learn from it – specifically learn from what went wrong or what sent you off the rails. Are you going to continue to let that voice inside your head that says “I’m not right for this – I always screw up in comedy – I’m no good” or are you going to master that voice and banish it not only from the room, but your head forever. You have this choice.

If you stop thinking, “I’ve got to get this role,” and make it your mission to walk into every room being über prepared and do what you came there to do, you will succeed.

If you make a subtle shift of your mindset so that your goal isn’t to get the job, but to consistently come into every room, knock it out of the park, and build relationships for the future. You want casting directors to bring you back multiple times on all their projects because we know we can trust you.

Remember that we’ve considered thousands for the role, (check out my article Auditions Can Be a Numbers Game) narrowed it down to auditioning about 30 actors (sometime hundreds depending on the role), and if you were chosen as the final two you’ve already won. I know it may not feel that way, but that’s where your perspective comes in.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.)

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Perfection is a Creativity Killer

Photo by Ricardo Viana

By Marci Liroff

These days we have casting sessions without the director or the producer in the room. You’ll be “going on tape for producer(s)/director” because often times they are on location or simply not available. What I’m noticing is that many actors are hung up on perfection. That nasty “P” word vexes their audition time and time again. They want to do it over and over again until they’ve reached what they think is perfection.

When I’m coaching actors I have some clients who just want the work session to be over and done with. “Is that good enough? Please, can we move on to the next scene?” They truly don’t like the process and just want it to stop. In stark contrast, I have a few clients who simply will not turn anything in unless it is perfect.

What is “perfect” anyway? Who is the judge of that?

You? Me? The casting director who receives it? The creative team who looks at your work and decides whether you’re going to get the role?

As an artist, you’ve got to be your own editor and judge. You’ve got to know in your gut whether your performance is truthful, organic, and spontaneous. It’s a delicate balance. In life, we don’t get to go over and over and replay each experience until we get it right (although some of us definitely keep choosing the same toxic people in our lives and keep playing the same scene out but with different characters.) But I’m talking about the actor who is concerned about how each line comes out, the accent on each word, how his hair looks, or what his hands were doing in the scene.

There are many pros and cons to self-taping. I’ve had many actors tell me that they feel like they’re in a vacuum and don’t know which choices are the right ones. The thing is, there is no “right” here. The right choice is the honest and true choice. Ask yourself, – Are you coming off as a real human being? Or are you making choices that are clichés of what you think this man would do. Are you getting deep down into his soul or are you just skimming the surface with your choices.

Human beings are flawed. Life is messy and complicated.

The performances that show us these traits are the ones that are more compelling to watch because the actor is letting us in to his psyche, not just revealing what he wants to show us – but what he doesn’t want to share. That’s what’s infinitely more interesting to watch than perfection. There is no such thing as perfection and those that are striving for it are not only kidding themselves, they’re shortchanging us and them.

In life, we don’t always know the answers to the questions – we’re searching, we’re discovering. The performances that show us this journey are the most fascinating ones to watch.

I’m not suggesting you turn in a self-tape that’s sloppy, where you don’t know your lines or your performance is half-assed. But please lean toward thinking of yourself as a fallible human being and your performance will automatically be more honest and captivating. The more you start embracing the dark and messy side of your soul, the more we’ll want to watch. It’s only human.

What are you doing to “keep it real?” I want to hear from you.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.)

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Will Tattoos Stop You From Getting The Gig?

Illustration by Nick Bertozzi

By Marci Liroff

I love tattoos but I’ve always been too scared to get them. What if a piece of artwork I like today suddenly turns me off in a few years? I’m fickle that way.

It always surprises me when an actor gets permanent ink in visible places. Don’t they worry about getting hired for certain roles? Doesn’t it peg them as a certain “type”? Are you painting yourself into a corner by getting visible tattoos? I decided to talk to my tattooed friends to get their take on it. I was very surprised at their answers. So much has changed in the industry.

Verona Blue is an actor friend of mine and my coaching client. She’s got full sleeves and facial piercings. “I think there are two types of a tattooed actor: those who have a “look” that suits and highlights their tattoos (like me) and actors who happen to have tattoos that are rarely seen on screen, and not part of their type to any significant degree. In my case my tattoos generally help because I am very specific, and typically go out for characters whom, more often than not have the word “tattoo” in their breakdown. My niche is pretty small. There are a many actors who successfully book period and “period fantasy” (such as Game of Thrones) work despite their tattoos because they are easily covered with costumes – however I am not one of those actors (this probably has more to do with my hair than my artwork). (Verona has an amazing blue Mohawk of dreads).

On occasion a makeup artist will make some minor changes to my tattoos to highlight certain colors, but I’ve never had them covered up with makeup.

“I think it’s important for any artist to be true first to themselves, and then to their business second.”- Verona Blue

If you get a tattoo that is an easily exposed place (arms, hands, neck) you should make a note of your artist and get their direct contact information because the production’s legal department will ask you to get a signed release from them to make sure they aren’t sued (after the artist who did Mike Tyson’s face tattoo successfully filed suit against WB for “The Hangover” we are all suffering a new pile of paperwork for each booking).”

“Most of us will spend most of our days as US, not as characters on set, and it’s valuable to have a strong sense of self and be confident with who you are when you’re not acting, or auditioning.” – Verona Blue

Seth Yanklewitz, former vice president of network casting for Fox Broadcasting Company, has many tattoos—full sleeves and legs. As a casting executive, I was curious about his take on tattoos.

“As both a former independent CD and now an executive at the network, I have no issue with an actor having tattoos,” he says. “I would say so many creative types in this day and age have tattoos, so it’s fairly common. However, I’m sure there’s a producer or director who would have an issue, but makeup departments have airbrush techniques that literally make tattoos disappear in seconds. It’s not like the old days where you needed Spackle to hide a tattoo.”

When asked about the prevalence of prejudice against tattoos in the industry, Yanklewitz said, “I don’t think there’s prejudice, per se, about tattoos. If an actor were to have a past with certain affiliations or negative religious affiliations tied to those tattoos and the actor is now reformed, they should want to cover them up and make sure the public doesn’t associate them with that particular ideology.”

On differences for tattooed men versus women, he said, “Sadly, I would say there still is sexism and classism associated with [tattoos] for certain people. But if you can act, that’s what I and all CDs need to see—bottom line. The rest can be fixed in the hair, makeup, or wardrobe trailer.”

Sometimes actors are allowed to keep their tattoos because it fits their character, often times non tattooed actors are hired because they can act and the makeup dept puts tattoos on them, and I would imagine there are actors who hide their tattoos with white ink or in places you can’t see and if they have them visible want them covered because they don’t work for their personal work or the character.

POSTSCRIPT:

After hiring Verona Blue for a film I cast for a film studio with a certain mouse as the brand, they balked at showing her arm tattoos. This is after she had already been approved by the filmmaking team, and the studio casting department. I almost had to replace her on the day until the costumer gave her a long-sleeved shirt to wear.

Make sure to check out my new online course “How To Audition For Film and Television: Audition Bootcamp”. You can view it on your laptop or your mobile device and your subscription gives you lifetime viewing privileges for this course. I’ll be adding lectures throughout the year.

Warning: I grant permission to share my blog as written with no additions or deletions. Posting my blog is in no way an endorsement of another site unless you obtain my written consent.)

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