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Archives for August 2013

BEWARE OF THE INTERNET

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By Marci Liroff

Lately, I’m seeing a lot of your self-taped auditions, monologues, and self-produced content on public sites on the Internet. I’m all for empowering yourselves as artists by generating content, but please make sure it’s professionally made. We’re living in a time where you can easily create content and clips for your reel, but I’d truly rather see nothing than see badly crafted films and scenes. Just because you have a camera doesn’t mean you should use it. Your projects have to look just as good as the footage I’m seeing on network and film projects. Think about it for a moment. If you’re sending me clips of your homemade short film and it looks like your uncle shot it, the sound and lighting is bad and the writing is horrible— how do you think that makes you look?

In my Audition Bootcamp class the other night one of my students told a story of how she had pitched a short film to the site Funny Or Die and they were very interested. She and her crew shot the short film and when all was said and done, she pulled the plug. It wasn’t funny enough. It didn’t meet her expectations. This is a young actor and writer who is just starting out and had the wherewithal to not post her film because she didn’t think it was good enough. How brave. How smart.

When I’m casting a project I get a lot of self-taped auditions sent to me in many different forms. They come to me through Cast It Talent, YouTube, Vimeo, HighTail (formerly YouSendIt), Actor’s Access, and links to the actor’s personal website. The Internet has made it very easy to self-tape your audition from a distant location, upload it to one of the many sites available and send it to me quickly. I love that I can view so many auditions from all over the world with ease.

But, please take heed. Your auditions for my project should not be available for public consumption. They should only be viewed by me and my filmmaking team, the network, and the studio. The material (the script and audition scenes) is not meant to be viewed by the public at this pre-production stage, or frankly, ever – UNLESS approved by everyone involved on the project. You’ve heard of spoilers right? If I’m casting a project that has a top-secret script it would be extremely detrimental to the project if there were auditions popping up all over the internet which would reveal the storyline. On my last project, the producer found 3 actors who had posted their auditions for our film on YouTube and berated me because I didn’t control this better.

If you’re going to post your auditions online at these various sites that aren’t secure (such as YouTube and Vimeo) please make sure they’re password protected. It’s a very simple and easy process and only the person who’s intended to see it will be able to access it.

I always say, “You can’t put the toothpaste back in the tube”.  Make sure you’re putting content out there that represents you in the best light. (literally and figuratively)!
I’d love to hear your thoughts and comments on this situation. Has this ever happened to you? It’s always good to share with the community. Leave a comment, share this blog with a friend!
Glad you’re here!
Marci

 

 

LIAR, LIAR PANTS ON FIRE!

Liar

By Marci Liroff

I’ve been working in Hollywood one way or another (casting, producing, assistant at a top agency) for the last several decades. As you can imagine, I’ve seen A LOT and have some juicy stories; one more shocking than the next. Most of them I can’t share until I write my book when I’ve long retired from the business because I’d never work again!

A few years ago I was casting a television pilot and looking for a 9 year old boy who uses a wheelchair in real life. It was an essential part of the role as it was based on the son of the lead actor who was starring in this real-life scripted pilot for NBC.

We had seen the few actor boys in Los Angeles who used a wheelchair, and set about doing a nationwide search for actor kids and civilians who would fit the part. Using my Social Media know-how and a press release, we got about 50 self-submitted auditions – pretty amazing considering how shallow that talent pool is. Part of this story ended up in my speech for the #140 Conference about Social Media. My story about casting this role starts about the 5:30 mark into the speech.

Simultaneous to our nationwide open call we started seeing non-actor kids based in Los Angeles who used a wheelchair. One nice looking 10 yr old boy came to audition and we wanted to get to know more about him. I like to talk to the actors coming in to read for me to get a sense of who they are. He talked about being adopted and how if he hadn’t been adopted he’d probably be in jail. We laughed – he wasn’t kidding. He won an acting contest and his parents sold their house in Florida to move out here so he could act. At this point he had already stolen our hearts. Then he did the scene. He was actually kind of good and we started getting really excited. When I’m casting a project and an actor comes in who seems to “get” what we’re doing and grasps the character it’s thrilling! When we’re casting a difficult-to-find role working with non-actors, it’s even more exciting to find someone who can handle all the aspects of the role.

We delicately asked all the kids how handicapable they were, because some could walk a little. That’s when he told us he could walk. This kid then proceeded to get up out of the chair and tell us that his parents rented the chair and he can walk just fine. He had just sat out in our waiting room in a rented wheelchair with other kids who had mobility issues and faked it. I should have seen the red flag when he wheeled himself in in one of those GIANT hospital wheelchairs. All the other kids had those cool lightweight ones so that they could maneuver better.

I was gobsmacked, felt utterly manipulated, and after having just gone through 53 self-submitted auditions from kids across the country dealing with their real issues, I was very upset at his parents. He got up out of the wheelchair and walked out into the waiting room to greet his folks. You can’t imagine the look on everyone’s faces. I took his parents aside and calmly explained how inappropriate this was. Surely this wasn’t the child’s fault – his adults are supposed to watch out for him and teach him honesty and integrity.

Later on, my actress friend ran into the kid and his parents in the parking lot after her audition and started talking to the family. She sent me an email to say how “cool” she thought it was that he took such a risk and good for him. Since then I’ve asked a number of actor friends what they thought about this situation and I’m shocked to say that I get a 50/50 response. Half think it was reprehensible what this kid’s parents did, and half think it was great!

What do you think? Faker or risk taker?

I’d love to hear your thoughts on this situation.  It’s always good to share with the community. Leave a comment, share this blog with a friend.

Glad you’re here!
Marci

THIS ADVICE WILL CHANGE YOUR LIFE

By Marci Liroff
I want you to re-frame the way you’ve been thinking about meetings and auditions.
 
I’ve been reading a lot of comments to my articles and blogs using the phrase “the other side of the table” when referring to the Casting Director or the other people you’re auditioning for. 
 
Stop it! Here’s the new thinking: What if you thought of the whole auditioning process as a collaboration between filmmakers? What if you included yourself in that group? After all, you are one of the filmmakers too. We desperately need you in this process.
 
When I’m casting my projects, teaching my classes, and coaching actors I wake up and have that Christmas-morning feeling in my stomach—the happy feeling filled with anticipation. I get so excited to work with wonderful actors and filmmakers. 
 
Websters dictionary defines EXCITEMENT as:
Noun
  1. A feeling of great enthusiasm and eagerness.
  2. Something that arouses such a feeling; an exciting incident.
It occurred to me—that is exactly the feeling you should have when you come in to audition. Think about it. As an actor, how often do you actually get to act? Probably not as often as you would like. What if you thought of your audition as an opportunity to show us your stuff? What if you woke up on the day you had an audition and thought, “Yay! I get to act today and show them what I’ve been studying, prepping, and researching. I get to come in and play with the other filmmakers. I get to help them solve their problem. I get to be of service to the project and bring in my own special and very specific piece of the puzzle that they’re tirelessly putting together.”
 
You’ve got to stop this deadly “me against them” loop that’s going on in your head. Delete the word “gatekeepers” from your brain and anything else that you think is standing in your way. Replace it with this mantra: “I am a filmmaker! I am a collaborator!” We are all working together to bring the project to fruition.
 
When you’re truly prepared for your audition—you know the character and you’ve prepped and researched properly—you should feel like you can’t wait to get into the audition room. You should be excited to engage as a participant, as one of the filmmakers. After casting for the last century or so, I’ve come to realize that SO much of it is in your head. Once the preparation has been done, it’s all about perspective—and this is the good news. YOU are in control of how you view the audition process. It’s all up to you. 
 
Now go out there and remember that we’re all in this together.
 
I’d love to hear how this article made you feel.  It’s always good to share with the community. Leave a comment, share this blog with a friend.

Glad you’re here!  
 
Marci